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ALDRICH, ROBERT.
Term Paper ID:16381
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Essay Subject:
Director's style, themes, conflicts, violence in [The Dirty Dozen], [Apache], [The Big Knife], [Kiss Me Deadly].... More...
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13 Pages / 2925 Words
10 sources, 18 Citations,
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Paper Abstract:
Director's style, themes, conflicts, violence in [The Dirty Dozen], [Apache], [The Big Knife], [Kiss Me Deadly].
Paper Introduction:
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ALLEN, WOODY.
Term Paper ID:7569
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Essay Subject:
Examines his films & plays; as comedy writer & comedian; evolution as filmmaker; style; comic-serious aspects.... More...
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10 Pages / 2250 Words
4 sources, 12 Citations,
TURABIAN Format
$80.00
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Paper Abstract:
Examines his films & plays; as comedy writer & comedian; evolution as filmmaker; style; comic-serious aspects.
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ALLEN, WOODY.
Term Paper ID:9864
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Essay Subject:
Career of writer-filmmaker. Themes, techniques, humor, influences, personas, style, development in [Bananas], [Sleeper], [Take Money & Run], [Manhattan], [Stardust Memories], others.... More...
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25 Pages / 5625 Words
7 sources, 13 Citations,
TURABIAN Format
$136.00
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Paper Abstract:
Career of writer-filmmaker. Themes, techniques, humor, influences, personas, style, development in [Bananas], [Sleeper], [Take Money & Run], [Manhattan], [Stardust Memories], others.
Paper Introduction:
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ALLEN, WOODY.
Term Paper ID:13989
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Essay Subject:
Life, career, personality, psychiatric treatment, world view, popularity as filmmaker, movie persona.... More...
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6 Pages / 1350 Words
4 sources, 7 Citations,
TURABIAN Format
$48.00
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Paper Abstract:
Life, career, personality, psychiatric treatment, world view, popularity as filmmaker, movie persona.
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ALLEN, WOODY.
Term Paper ID:14181
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Essay Subject:
Life & career of comedian, writer, actor & filmmaker. Childhood, outlook on life, public persona, sources of humor, influences.... More...
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5 Pages / 1125 Words
4 sources, 6 Citations,
TURABIAN Format
$40.00
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Paper Abstract:
Life & career of comedian, writer, actor & filmmaker. Childhood, outlook on life, public persona, sources of humor, influences.
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ALLEN, WOODY.
Term Paper ID:18289
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Essay Subject:
Comparison of Allen's characters in [Annie Hall] & [Bananas]. Neuroses, relationships, sex; increasing sophistication & complexity of films.... More...
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13 Pages / 2925 Words
6 sources, 34 Citations,
MLA Format
$104.00
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Paper Abstract:
Comparison of Allen's characters in [Annie Hall] & [Bananas]. Neuroses, relationships, sex; increasing sophistication & complexity of films.
Paper Introduction:
Woody Allen has been called the greatest comedic filmmaker of the 1970s and 1980s. The most original and brilliant screen conic since Charlie Chaplin, Allen has achieved success and notoriety in a relatively short period of time (Sinyard 8). Film critics and film buffs have tracked his growth as a writer, actor, and director and have seen him become more proficient and clever with the medium while constantly changing and surprising them with a variety of stories. The purpose of this research will be to compare two of his 1970 films, Bananas, 1971, and the Academy Award-winner Annie Hall, 1977. The comparison will center on the main characters, their neuroses, relationships and sexual attitudes and actions. In undertaking this analysis, however, a look at Woody Allen himself, his background and point of view, are necessary for understanding his films. In addition,
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ALLEN, WOODY.
Term Paper ID:19785
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Essay Subject:
Films & writing. Argues Allen is no longer big box office & has lost his mass audience appeal because his work is too serious, compared to his earlier works.... More...
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7 Pages / 1575 Words
7 sources, 16 Citations,
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Paper Abstract:
Films & writing. Argues Allen is no longer big box office & has lost his mass audience appeal because his work is too serious, compared to his earlier works.
Paper Introduction:
A Comparison of the Writings and Films of Woody Allen
In the writings of Woody Allen, as originally published in The New Yorker, and rebound in book form, one finds an explanation for Woody Allen's current precarious status. In The Complete Book of Film Awards by Richard Sean Lyon, the author notes that "While Woody Allen was piling up awards in the 1980s, he was also breaking another new, and much more ominous record--that of the director with the most box-office flops in the 1980s (ten failures out of eleven films)."
In reading Woody Allen's collections of stories, Getting Even and Without Feathers, one is immediately struck by the fact that Allen mocks all forms of artistic pretentiousness and hypocritical human behavior. As Pauline Kael, noted film critic,
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ALLEN, WOODY.
Term Paper ID:19932
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Essay Subject:
Examines filmmaking style (personal vision) & major themes (personal voice) in [Annie Hall], [Manhattan], [Crimes & Misdemeanors], [Hannah & Her Sisters].... More...
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7 Pages / 1575 Words
3 sources, 7 Citations,
MLA Format
$56.00
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Paper Abstract:
Examines filmmaking style (personal vision) & major themes (personal voice) in [Annie Hall], [Manhattan], [Crimes & Misdemeanors], [Hannah & Her Sisters].
Paper Introduction:
This study will focus on the filmmaking style (personal vision) and major themes and messages (personal voice) of Woody Allen as expressed in several of his films.
As a filmmaker who relies primarily on his own cinematic personality, Allen has created a style, a vision, which reflects that personality. It is, as Foster Hirsch points out, the style of the nightclub comic, a persona which served Allen well in his earlier pre-filmic career and has served him well in the film world. It is a style which brings along with it the voice of the nightclub comic as well, despite the fact that Allen deals with more profound topics than many other comics and comic filmmakers.
As Hirsch writes, "In Annie Hall, Woody plays a stand-up comic, claiming on film the same kind of control over and intimacy with his audience that he enjoyed during his cabaret
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BERGMAN, INGMAR.
Term Paper ID:4963
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Essay Subject:
Includes themes, techniques & the general development of the Swedish filmaker.... More...
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13 Pages / 2925 Words
4 sources, 15 Citations,
TURABIAN Format
$104.00
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Paper Abstract:
Includes themes, techniques & the general development of the Swedish filmaker.
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BERGMAN, INGMAR. "PERSONA".
Term Paper ID:16237
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Essay Subject:
Bergman's film about two women. Analyzes it according to director's philosophy of life & art.... More...
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7 Pages / 1575 Words
3 sources, 6 Citations,
Format
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Paper Abstract:
Bergman's film about two women. Analyzes it according to director's philosophy of life & art.
Paper Introduction:
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BUNUEL, LUIS.
Term Paper ID:19456
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Essay Subject:
Life & career of Spanish filmmaker. Style, themes, critical reviews.... More...
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7 Pages / 1575 Words
6 sources, 8 Citations,
APA Format
$56.00
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Paper Abstract:
Life & career of Spanish filmmaker. Style, themes, critical reviews.
Paper Introduction:
LUIS BUNUEL
The purpose of this paper is to analyze the cinema of Luis
Bunuel in general and two of his films in specific: "Los Olvidados" (Mexico 1950) and "Viridiana" (Spain 1961). Special attention will be paid to the Spanish cinema and the Mexican cinema and how they influenced this film maker and his art.
In order to best frame this commentary, we should give a brief overview of Bunuel and his place in the Spanish-speaking film world. Luis Bunuel was born in Calanda, Spain on February 22, 1900, and he died in Mexico City on July 29, 1983. He led a long life, and most of it was devoted to making motion pictures.
After receiving his degree from Colegio del Salvador in religion, entomology, and zoology, he went on for an advanced degree in agricultural engineering and the natural sciences at the
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CAPRA, FRANK. "IT HAPPENED ONE NIGHT".
Term Paper ID:15358
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Essay Subject:
The screwball comedy genre. Impact of style, story twists, gags & witty dialogue of 1934 Frank Capra directed romantic comedy on others of genre in 1930s.... More...
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12 Pages / 2700 Words
6 sources, 7 Citations,
TURABIAN Format
$96.00
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Paper Abstract:
The screwball comedy genre. Impact of style, story twists, gags & witty dialogue of 1934 Frank Capra directed romantic comedy on others of genre in 1930s.
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CASSAVETES, JOHN.
Term Paper ID:10660
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Essay Subject:
His techniques & themes. Focused on [The Killing of a Chinese Bookie].... More...
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6 Pages / 1350 Words
3 sources, 11 Citations,
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$48.00
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Paper Abstract:
His techniques & themes. Focused on [The Killing of a Chinese Bookie].
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CHAPLIN, CHARLIE.
Term Paper ID:19899
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Essay Subject:
Film-making style, themes, role of Little Tramp, romance.... More...
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6 Pages / 1350 Words
3 sources, 13 Citations,
MLA Format
$48.00
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Paper Abstract:
Film-making style, themes, role of Little Tramp, romance.
Paper Introduction:
This study will examine the films of Charlie Chaplin, specifically focusing on a theme and style running through a number of his films which reveal his personal vision and voice. His vision will be seen as revealed through his film-making style, and his voice will be seen as revealed through the major theme expressed in his films.
The themes and style of Chaplin's most effective films are seamlessly united. The major theme to be explored here --- the message carried by the Little Tramp --- is carried by Chaplin's simple and direct style, and at the same time the style perfectly fits the theme. The Little Tramp was simple enough to appeal to the masses, while he was also serious and complex enough to appeal to the more elite sectors of society: "Charlie was the darling of the intellectuals. Before he came into films,
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CHAPLIN, CHARLIE.
Term Paper ID:28503
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Essay Subject:
Analysis of his films & development from gag-based shorts to comedy features with complex ideas. Discusses "The Kid," "His Trysting Place," "The Idle Class."... More...
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6 Pages / 1350 Words
6 sources, 7 Citations,
MLA Format
$48.00
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Paper Abstract:
Analysis of his films & development from gag-based shorts to comedy features with complex ideas. Discusses "The Kid," "His Trysting Place," "The Idle Class."
Paper Introduction:
Charlie Chaplin was one of the most popular and influential directors and performers in the history of film. His influence derived from many different aspects of his work but one of the most important was his role in the development of comic feature films. Although other performers and filmmakers were involved in the same process (and surpassed Chaplin at times) he was nearly unique in the degree of control he exerted over the development of his own films. A comparison of works ranging from his early days of making two-reel shorts for Keystone to later shorts and his first self-directed feature at First National, The Kid (1921), demonstrates the process through which coherent narrative features were developed from the gag-based style of the shorts. Although The Kid is not the height of Chaplin's accomplishment in the new form, as his first it displays some of the problems the
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DE SICA, VITTORIO.
Term Paper ID:6080
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Essay Subject:
Development as film director. Examines the influence of social conditions & WWII on his Italian pictures.... More...
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11 Pages / 2475 Words
18 sources, 7 Citations,
TURABIAN Format
$88.00
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Paper Abstract:
Development as film director. Examines the influence of social conditions & WWII on his Italian pictures.
Paper Introduction:
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DEAN, JAMES & HIS APPEAL.
Term Paper ID:1944
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Essay Subject:
Contends that the public's attraction to the loner as hero made Dean a film hero.... More...
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12 Pages / 2700 Words
5 sources, 0 Citations,
TURABIAN Format
$96.00
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Paper Abstract:
Contends that the public's attraction to the loner as hero made Dean a film hero.
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DEAN, JAMES & HIS DEATH.
Term Paper ID:15061
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Essay Subject:
Details & social significance of automobile accident which killed the movie star in 1955.... More...
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10 Pages / 2250 Words
5 sources, 5 Citations,
TURABIAN Format
$80.00
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Paper Abstract:
Details & social significance of automobile accident which killed the movie star in 1955.
Paper Introduction:
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DISNEY, WALT.
Term Paper ID:672
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Essay Subject:
His career & contributions to the cartoon industry. Argues that Disney's cartoons appeal to the child in each of us.... More...
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6 Pages / 1350 Words
2 sources, 0 Citations,
TURABIAN Format
$48.00
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Paper Abstract:
His career & contributions to the cartoon industry. Argues that Disney's cartoons appeal to the child in each of us.
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DISNEY, WALT.
Term Paper ID:13014
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Essay Subject:
Life, career of filmmaker. Childhood, early farm life, art education, theatrical experience, cartoons, Disney Studio, Disneyland.... More...
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18 Pages / 4050 Words
12 sources, 4 Citations,
TURABIAN Format
$136.00
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Paper Abstract:
Life, career of filmmaker. Childhood, early farm life, art education, theatrical experience, cartoons, Disney Studio, Disneyland.
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EASTWOOD, CLINT.
Term Paper ID:20580
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Essay Subject:
Life & career of actor/director through 1993, including [In the Line of Fire].... More...
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9 Pages / 2025 Words
9 sources, 20 Citations,
TURABIAN Format
$72.00
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Paper Abstract:
Life & career of actor/director through 1993, including [In the Line of Fire].
Paper Introduction:
Clint Eastwood has become a major force in American films and has confounded many who predicted that he would never have a career in Hollywood. Long treated by critics as a one-note actor with little range, he received the nomination for the Academy Award as Best Actor of 1992. His success was made all the more impressive as he received the Academy Award for Best Director and for Best Picture in that same year. In addition, he has over the years produced, directed and/or appeared in a number of films that have achieved high grosses, and after winning the Oscars his newest film as an actor, In the Line of Fire, has become one of the major money-makers of 1993.
Alan Frank notes the distinction often made between the actor and the star--the presence of the actor in a film is necessary but not usually enough in itself to ensure that people
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EISENSTEIN, SERGEI.
Term Paper ID:3949
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Essay Subject:
Explains how he used dialectical materialism in his analysis of the art of filmmaking as well as in attempting to teach its principles. Examples from films.... More...
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9 Pages / 2025 Words
2 sources, 8 Citations,
TURABIAN Format
$72.00
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Paper Abstract:
Explains how he used dialectical materialism in his analysis of the art of filmmaking as well as in attempting to teach its principles. Examples from films.
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EISENSTEIN, SERGEI.
Term Paper ID:11258
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Essay Subject:
Dialectical film theory of early 20th Cent. Russian. Innovations, influences, montage. Views of other film theorists.... More...
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14 Pages / 3150 Words
7 sources, 17 Citations,
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$112.00
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Paper Abstract:
Dialectical film theory of early 20th Cent. Russian. Innovations, influences, montage. Views of other film theorists.
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EISENSTEIN, SERGEI.
Term Paper ID:20347
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Essay Subject:
Aesthetics, style & methods in [Potemkin], [Alexander Nevsky] & [Ivan the Terrible].... More...
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10 Pages / 2250 Words
5 sources, 23 Citations,
MLA Format
$80.00
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Paper Abstract:
Aesthetics, style & methods in [Potemkin], [Alexander Nevsky] & [Ivan the Terrible].
Paper Introduction:
The essential elements of film theory were developed in the silent era by Soviet filmmakers intent on explaining the power of this new medium and in making of it a political and social tool, one that could be used in furtherance of the aims of the Soviet state. Indeed, the film theory that developed after 1917 mirrored the dialectics of Hegel, with successive shots seen as offering opposing ideas from which a synthesis was then produced that would have a certain effect on the viewer. Sergei Eisenstein represented one branch of Soviet film theory, a revolutionary branch that was exemplified in his films from the beginning. Eisenstein was a theorist as well as a filmmaker and was extremely influential through his writings on film as well as through the films he directed. He would fall out of favor in the Soviet system during the Stalinist era, but he would remain at
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EISENSTEIN, SERGEI.
Term Paper ID:26725
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Essay Subject:
Examines Russian filmmaker's innovations, theory, techniques, major films, aesthetics, legacy.... More...
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12 Pages / 2700 Words
5 sources, 23 Citations,
MLA Format
$96.00
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Paper Abstract:
Examines Russian filmmaker's innovations, theory, techniques, major films, aesthetics, legacy.
Paper Introduction:
The essential elements of film theory were developed in the silent era by Soviet filmmakers intent on explaining the power of this new medium and in making of it a political and social tool, one that could be used in furtherance of the aims of the Soviet state. Indeed, the film theory that developed after 1917 mirrored the dialectics of Hegel, with successive shots seen as offering opposing ideas from which a synthesis was then produced that would have a certain effect on the viewer. Sergei Eisenstein represented one branch of Soviet film theory, a revolutionary branch that was exemplified in his films from the beginning and identified with his ideas of montage, or the ordering of individual shots to produce an effect. Eisenstein was a theorist as well as a filmmaker and was extremely influential through his writings on film as well as through the
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FASSBINDER, RAINER WERNER.
Term Paper ID:20318
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Essay Subject:
Life & career of German filmmaker. Influences, style, major works.... More...
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7 Pages / 1575 Words
5 sources, 17 Citations,
MLA Format
$56.00
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Paper Abstract:
Life & career of German filmmaker. Influences, style, major works.
Paper Introduction:
INTRODUCTION
Rainer Werner Fassbinder was one of the most prominent and most prolific of the filmmakers of the New German Cinema, a revival of the once-vital German film industry after the first version had been destroyed by World War II. There were films made in Germany in the interim, but they were films associated with American companies or British companies and were primarily programmers, imitations of American melodramas, horror pictures, British mysteries, and the like. A serious German cinema simply did not exist in any degree that could capture the attention of the world market. In the 1960s, young filmmakers felt the need for a change and issued the Oberhausen Manifesto, generally regarded as the beginning of the New German Cinema, though of the 26 signatories only one, Alexander Kluge, would later achieve
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FASSBINDER, RAINER WERNER.
Term Paper ID:24116
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Essay Subject:
Life, career, major films, style, themes, influences, critical views of German filmmaker.... More...
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9 Pages / 2025 Words
6 sources, 25 Citations,
MLA Format
$72.00
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Paper Abstract:
Life, career, major films, style, themes, influences, critical views of German filmmaker.
Paper Introduction:
Rainer Werner Fassbinder was one of the most prominent and most prolific of the filmmakers of the New German Cinema, a revival of the once-vital German film industry after the first version had been destroyed by World War II. His films addressed social issues in a way that helped open the cinema to new examinations of homosexuality, feminism, and similar concerns. From his earliest works, Fassbinder's writing and directing were intensely personal statements, and a sense of desperate loneliness, clearly derived from his childhood, infuses much of his work.
Films were made in Germany after World War II, but they were films associated with American companies or British companies and were primarily programmers, imitations of American melodramas, horror pictures, or British mysteries. A serious German cinema
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FELLINI, FEDERICO.
Term Paper ID:10248
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Essay Subject:
Life, influences, philosophy of life & filmmaking; [La Dolce Vita], [8+1/2], [La Strada], [City of Women].... More...
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15 Pages / 3375 Words
10 sources, 26 Citations,
TURABIAN Format
$120.00
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Paper Abstract:
Life, influences, philosophy of life & filmmaking; [La Dolce Vita], [8+1/2], [La Strada], [City of Women].
Paper Introduction:
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FELLINI: CHILDHOOD & FILMS.
Term Paper ID:8554
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Essay Subject:
Impact of Italian director's youth on his art; examples, uses & functions of childhood & subconscious images; circus, Catholicism, sex.... More...
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10 Pages / 2250 Words
3 sources, 6 Citations,
TURABIAN Format
$80.00
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Paper Abstract:
Impact of Italian director's youth on his art; examples, uses & functions of childhood & subconscious images; circus, Catholicism, sex.
Paper Introduction:
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FLEISCHER, MAX & DAVE.
Term Paper ID:25408
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Essay Subject:
Examines animated characters created by brothers in silent era: Betty Boop, Koko the Clown, Minnie the Moocher.... More...
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9 Pages / 2025 Words
3 sources, 7 Citations,
MLA Format
$72.00
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Paper Abstract:
Examines animated characters created by brothers in silent era: Betty Boop, Koko the Clown, Minnie the Moocher.
Paper Introduction:
INTRODUCTION
Max and Dave Fleischer started in animation in the silent era and continued into sound and through the heyday of short film animation. They were one of the few silent studios aside from that of Disney to last into the 1940s, continuing beyond studios like Van Buren or Ub Iwerks (though Iwerks did return to the Disney fold and work on animated films after his own studio folded). The Fleischer's created a number of characters of lasting value, two of the most notable being Betty Boop and Popeye, and form the silent era, Koko the Klown. Betty Boop was a character who epitomized a certain attitude in the Depression years, though in some ways she was out of her proper time and is more a flapper of the 1920s than the showgirl of the 1930s. She can be seen as evoking the sort of optimism needed in the years
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